All hail the reanimated flesh

(image supplied by Tommy Boy)

We are not sure whats happened with Lovefingers. The last Daily Fingertrack went up in July and now its September, jeez. Its a shame, we enjoyed that daily dose of wonky synth pyramid disco, those tracks brightened up the day as we meandered through reality, plugged into our iPods, with hallucinatory polygonal shapes floating in and out of our vision, the pavement slabs lighting up as we skipped across them, and the sun forming a layer of mirrored tiles to become the biggest discoball that lit the way for the cars to transform into vogueing robots.

A few months back the Lovefingers camp released Vol.2 of the Black Disco 12″ series, we were slack at reporting this but better late than never, huh? Especially as its the turn of Lee Douglas of Rong Music to take over the editing duties. Listen with full intent as he tweaks and modifies ‘Misa Criolla’ by Fuego – that forgotten classic euro call-and-response laser disco marching song. With a few nips and tucks and repositioning of key sounds, the track forms into a less frantic more propulsive dancefloor melting affair, crystal harps shimmering toward the great Mayan rebirth in 2O12.

Black Disco – Fuego (Lee Douglas Edit)

With approximately 2,013,581 edits of forgotten and well known disco tracks being released over the last year or so, competition has been high, ears have become tired, and beard-strokers have become frustrated/bored. So, its nice when someone spearheads through the gelatinous mass of reproduction and regurgitation like a silver bolt of musical clarity, and Paul Moxie is such a character, his 12″s with the broken horsey on them have never disappointed.

Moxie – Beyond Jupiter

Beyond planet Jupiter is a small moon shrouded in dry ice with a surface of glass and chrome, a place where all the dead legends and heroes go to dance in the central black pyramid discotheque, a hard but courageous life is rewarded with enough synthesised excess that would kill any mere mortal. Icarus works here as a go-go dancer, shooting lasers from his fingers in time to the music, 2000 men and women fainting at every flex of his torso. Once the needle begins its route through the 15th Moxie 12″, a mock labyrinth rises from a pit in the dancefloor and Theseus, with great tremendous and wily wit, hunts the Minotaur in time with the drama strings, proto-house hi-hats and Studio 54 horn sections of ‘Beyond Jupiter’.

Now onto Time & Space Machine, or Richard Norris, one half of psyche Sun warriors Beyond The Wizards Sleeve. ‘Volume One’ sounds like it was recorded in a field just outside of Dunwich where the haystacks burned with crimson flame and the Moon rose to meet with the Sun, clashing violently in plumes of cosmic miasma, seeping torrents of blood from a wound that drenched the earth and soaked into Richard’s synthesisers, fantastic machines built with the technology from Videodrome.

The Time and Space Machine – Buffalo Roam

Taking his cue from the nitetime orgy on the grassy knoll in The Wicker Man, Time & Space machine re-edits ‘Buffalo’ by Writing On The Wall, transporting the cavorting nubians to the sun dried deserts of middle America, Charles Manson wielding a sceptre/sitar combination weapon, on the hunt for Lucifer who he believes to be hidden in the midriff of a young denizen of Summer Isle.

(Plus we think Piccadilly Records have it right when they suggest that parts of Quiet Village’s ‘Gold Rush’ were birthed from the same original record.)