Love Saves the Day (facebook group here) is back on Saturday at Micro, just by Digital in Brighton’t Seafront. Dan Nixon is the man leading in this glorious return, with the 20JFG crew eagerly involved, and excited. Some of the most joyous dancing your caring ‘n’ sharing nerds have subjected the world to this year took place at this underground rendezvous, but in its previous, not optimal venue. Well, we have been to Micro and it’s definitely the perfect spot for everyone to swing to the sweetest sounds of eternal disco: we are talking about the old skool Brooklyn shit, italo extravaganza, balearic bliss, the nouveau kosmische wave and even some minimal for your ass, you can’t go wrong with this shit. All of this probably under a ceiling covered in helium balloons. So you know kids, everyone get down, it’s a love thing.
History Clock is a new source of vinyl goodness run from a Dr. Phibes style vault in the centre of a pyramid somewhere far beneath London by Nathan Gregory Wilkins, Johnny Burnip and Tiger Timing. They say they are devoted to ‘modifying obscure musical relics from the distant past to better serve the eccentric tastes of the modern discotheque. Style-wise History Clock will be covering rock, primitive electronics, disco, soundtracks, psychedelia and just about anything else that feels good‘.
They are definitely talking the talk, listen to Fitzcarraldo Variations now, because they are walking the walk too.
They also got Susumu Zongamin to design their record sleeves for some extra awesomeness. What a dude.
Or German prog wizards Birth Control pulling a total Aguirre in their bloodthirsty search for the psychedelic funk Eldorado. Total kraut glossolalia, a percussive stream of conciousness onslaught and zenta riffarama somewhere in between the MC5 and Funkadelic. Yes, they are talking the talk, and we are dancing the dance, you can totally imagine the Loft crowd flying high on this one some decades ago.
We are celebrating a psychedelic mass under red lights, impressionistic splatter and burning shadows, and the launch of LindstrÃ¸m’s epic opus ‘Where you Go I Go Too’ on suitably heavy double vinyl by finally unleashing upon you one of the best remixes of the year.
Where genius designer of synthetic dreams, Johan AgebjÃ¶rn, takes LindstrÃ¸m’s Icarus-like Grand Ideas over frosty tundras, through foreboding chrome clouds and into a portentous summit where the spirits if ice rendezvous for a Sabbath of relentless spiritualist techno, stomping on the ground to summon white lightning bolt and black thunder, Johan says he felt particularly inspired when he came up with this, I reckon he was indeed, because this is the sound of drum machines talking in tongues, a conduit for powerful forces which our senses were not really evolved to behold.
Johan is DJing around the UK this week, catch him at these excellent shindigs in London and Nottingham.