Gatekeeper Video Premier Day 5 – Storm Column

We wrap up Gatekeeper week on day 5 with the video for Storm Column.  The tracks arpegiated, gated, EBM dread gets the Outer Limits treatment in a video that begins with a suitably portentous track around the Statue of Liberty before quickly wrapping its stock footage into universe building spheres.  Got that?

While we’re dwelling in the embedded video realm we thought we’d share with you a recording of current (and past, and future) 20JFG obsession Mueran Humanos. The Argentinian duo journeyed high above their current Berlin home to record some songs live to filmmaker Mariano Báez’s camera.  The description that opens the video covers all the bases:

August 2009. Mueran Humanos go to the abandoned CIA Station at Teufeslberg (Devil’s Mountain) to use the fabulous acoustics of its higher dome. The dome was build to catch soviet radio frequences and therefore produces a natural amplification and huge reverb. Mueran Humanos use there a casiotone toy keyboard, a walkman with prepared tapes and a hammer as instruments. No amplification and no electricity were used and no effects were added afterwards. This is the real sound there direct to the camera. This is a small extract for their performance, filmed by Mariano Báez.

What follows is a minimal version of Monstruo, from their début album on Old Europa Cafe (who insightfully name-check Possession in their write up).  Seemingly recorded at twilight the Berlin cityscape spreads, vertiginous, out behind them through a breach in the domes wall.  The pale light brushing over their faces or, just as likely, casting them in silhouette depending on where Báez moves his restless camera.

The recording itself is breathtaking not just for the quality of the recording – something unusual straight to camera – but for the beauty the pair conjure up with a battery powered keyboard and their unamplified voices reverberating around the huge acoustically perfect space.  For those paying attention, the tension – conjured first, by the inclusion of a hammer in the description and then by its threatening appearance in and out of frame – is finally released in the sparse appearance of percussion towards the song’s end.

Mueran Humanos’ album is out now and you can get it here. Which you should do. Because it’ll appear in our year end round-up-thing that may or may not take the form of some sort of list of music we liked. Which is the fashion these days, we understand.