Transmission sent to myself across aeons as  intercepted by the higher state of consciousness future black jazz panther massive

Or what happens when Nation´s Headquarters Underground mastermind Traxx enters an alliance with Shadow Commander Beau Wanzer for a space-time travel to the origins of Jack, realizing only too late the intrusion of a Spanish fly into the Quasar-propelled capsule. The result is a Mutant Beat creature on destination point, a shape-shifter entity with red acid injected eyes that would trance you in a daze of zombileptic beats and limb-breaking impulses with only looking at it.

From Disco to: Disco rapes Adonis in a tropical Berlin jungle, courtesy of external agent Dr. D. Clark. They call it The Future Soundof Yesterday and, while available in digital format, the real deal is the limited 500 vinyl copies with hand-silkscreened Mutant by monster artist himself Andreas Golder.

Mutant Beat Dance- In a Daze (Eric D. Clark’s Vocal Mix)

The secret cuban society Discos Capablanca made the wax replicas of the creature and had Clone deliver the raw substance .

As a bonus, just to keep you jacking like duracell bunnies in an electrified dancefloor, here you have Tyree mix of Acid Over, which is different from the one you might have heard in a rather awesome Soul Jazz comp a couple of years ago. This has ridiculously propulsive space helium propelled hi energy vocals about swinging and dancing and the usual stuff, as well as a beautifully pensive latin piano resting in its midst like a big eyed majestic deer licking its paws in a space between the pumped out crowds. Yeah, it’s crazy like that and if it doesn’t blow your mind then you need a fucking upgrade.

Tyree- Acid Over (Tyree’s Mix)

But back to the old skool:

Mr. Knuckles mixed this awesome 80′s pop-house crystal for Kevin Irving and it was released on seminal label Trax in 1987. It sits right in the middle of the 80′s pop explosion and the underground throb of the Chicago sound. Vocals on the subject of cool kids out on the dancefloors of dance-town loosely echo the demonic stomp of the video for “Thriller” if Diana Ross had replaced Michael at the last moment. Its like the Shakatak of an alternate universe (made up of actual real versions of the characters from Streets Of Rage) where they formed in a Martian acid house rave, then travelled back in time to the late 80′s and showed us all what bionic sound ninjas dipped in an acid and glitter broth can do to your disco limbs.

Kevin Irving – Children Of The Night

Check it in its 4 minute edited version for maximum pop-song appeal, and watch out for low flying piano loops made of jewel encrusted titanium that appear from nowhere between verses, twinned with rolling blasts of synthesised drums and heart-based bass.

Now onto our ’08 heroes of the moment, Hercs’ ‘n’ Loves’ (our pet name), who – after adding paradoxical neon-green voodoo trance to Goldfrapp, and stuttering hi-hat blue/purple pastel shards of ’89 bass & warp effect to Aeroplane’s new track, “Whispers” – is casting Chaz Jankel in gold and displaying him on a plinth in the middle of the VIP area in a Miami club, backlit with lurid pink light.

Chaz Jankel – Get Myself Together (Hercules HercHouse Mix)

There is a disco version of this remix too, a Studio 54-era bump ‘n’ flex-a-thon complete with pink-tracksuited trampolining ESG girls and Liquid Liquid rhythm-section back up. But its the glacial HercHouse mix that’s forming ice over our dance-brains and transporting us to sophisticated Arctic igloo-set club nites.

Its those special little sounds in Hercules & Love Affair remixes that make them so appealing; the “get-my-get-my-get-my” vocals puncturing this track like meteor fragments burning up in the stratosphere, or the cyber-Zulu chants on the Goldfrapp mix and then the warped totally tropical steele-drum effects on the Kathy Diamond assisted “Whispers”.

From the ‘Get Myself Together Remixes’ 12″, out soon on Tirk.