Category Archives: ooioo

Informational Pagan Party

Featuring : 3rd Face, ooioo + prins thomas


You don’t step into OOIOO’s Gamel.

It engulfs you.

Like a swarm of psychic teens warping into the lounge or bedroom or public transport system or whatever geographical coordinates your physical body occupies, flipping the perceptual lights on and off at stroboscopic speeds and generating an REM effect or accelerating drone full of flashbacks like Eli Vance’s botched attempt to teleport Gordon Freeman for Black Mesa East, but faster, ravier, weirder.

And what is the substance of these flashbacks?

It’s varied, and includes: cosmic harmony and the explosion of life. This is conveyed by the seamless integration of gamelan’s evolutionary melody-sequences, standing for the clockwork logic of the cosmos, majestic like Zeus’ brow whence jumps Life, Athena-like, fully formed and armed, fierce and ready for a post-punk brawl. Or remember the awe-inspiring sequences of the universe in transition in Terrence Malick’s The Tree of Life, and shift them from the temple to the dance-floor.

Which brings us to spirituality. There are no words that we could use to convey the joyous sense of peace, unity and harmony conveyed by the transcendental dynamics that unfurl in OOIOO’s music, or rather, there are but they have been hijacked by a zillion new age cults, to use them would be to taint the purity of the emotions surfing over OOIOO’s progressive information age animism. Not that we need to, here’s the music.

OOIOO – Atatawa

Gamel is coming out on the 1st of July. Pre-order it from Thrill Jockey.


Somewhat serendipitously, we stumble upon last years reissue + remixes of 3rd Face’s Canto Della Liberta, a song that we featured in 2004. The sonic (and sensorial, sensual and emotional) parallelisms between that track and OOIOO are obvious, which makes sense given how strongly they are both influenced by the ur-banger Secondo Coro Della Lavandaie, from Roberto de Simone’s play, La Gatta Cenerentorola.

(This is clearest in OOIOO’s Uma and Umo in their previous album, Taiga, and Gamel Uma Umo in Gamel, which does what it says in the tin)

Prins Thomas’ is our favourite remix of the lot (which you might have expected). He bumps up the drums into a disorientating vortex somewhere in between Liquid Liquid, The Boredoms and Kelis’ Milkshake, and organises the drop around some 1970s double-denim rock riffage, burly Godzilla to OOIOO’s aerodynamic M.U.T.O.  There’s no-way anyone could ever go wrong with that, kids, we swoon.

3rd Face – Canto Della Liberta (Prins Thomas Remix)

The vinyl for this is sadly sold out, but you can get it digital from Beatport.

Drums of Earth

Featuring : hind ear + ooioo

Sorry for my absence from this webzine the last couple of weeks. I’ve been off shooting the video for this, more on that 20JFG-related endeavour in a few weeks.


First up we have the rhythmic return of OOIOO. UDA HAH (all caps, or course) comes on like a wailing Liquid Liquid jam over some forgotten lounge a cappella before devolving into a energetic game of guitar Pong, riffs bouncing back and forth over a post-hardcore digital landscape. That is, before the drums arrive, surrounding that guitar riff and pounding it into submission from the left and right – it screams for mercy – and we begin again. The whole thing like a primitive prayer to a Sumerian drum god, thrown through time and concentrated in a concise blast of sonic joy.

OOIOO – UDA HAH (removed on request)

UDA HAH is taken from OOIOO’s forthcoming LP ARMONICO HEWA. Unless you’re in Japan of course, then it’s not forthcoming, you can get it right now from here.


Hind Ear arise from the ashes of the copyright baiting Revenge of Shinobi with the second song this year called Coconut to beguile with it’s pounding ghostly charm.

Rising from the debris of distorted guitars and ritualised harmonies this Coconut is quickly strapped to the vicious wheel of a pounding drum machine, it’s pastoral beauty barely allowed to peak above the surface before being smacked into something altogether more muscular. Tendons flexed it strides over a ravaged countryside away from the dawn. Halfway there, it turns to glimpse the sun rise behind it before pressing on, bouncing over fields, its giant form casting shadows of cyclopean beauty before it.

3:31 makes me smile every single time, which is surely as good a reason for posting a song as anything.

Hind Ear – Coconut

Hind Ear can be seen at The Freebutt in Brighton on Saturday supporting Au. More info at their MySpace.